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Pu-erh tea

 

Pu-erh tea

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Pu-erh tea
Xiaguan Te Ji Tuo Cha 2004.jpg
Xiaguan Te Ji (Special grade) raw tuo cha from 2005
Chinese
alternative Chinese name
Chinese 臭殕茶

Pu-erh, Pu'er tea, Puer tea or Bolay tea is a type of tea made from a "large leaf" variety of the tea plant Camellia sinensis and named after Pu'er county near Simao, Yunnan, China.

Pu-erh tea can be purchased as either raw/green (sheng) or ripened/cooked (shu), depending on processing method or aging. Sheng pu-erh can be roughly classified on the tea oxidation scale as a green tea, and the shou or aged-green variants as post-fermented tea. The fact that pu-erh fits in more than one tea type poses some problems for classification. For this reason, the "green tea" aspect of pu-erh is sometimes ignored, and the tea is regarded solely as a post-fermented product. Unlike other teas that should ideally be consumed shortly after production, pu-erh can be drunk immediately or aged for many years; pu-erh teas are often now classified by year and region of production much like wine vintages.

While there are many counterfeit pu-erhs on the market and real aged pu-erh is difficult to find and identify, it is still possible to find pu-erh that is 10 to 50 years old, as well as a few from the late Qing dynasty. Indeed, tea connoisseurs and speculators are willing to pay high prices for older pu-erh, upwards of thousands of dollars per cake.[1]

Pu-erh tea is available as loose leaf or as cakes of compacted tea (see Tea brick).

[edit] Introduction and history

Pu-erh tea is traditionally made with leaves from old wild tea trees of a variety known as "broad leaf tea" (Traditional: Simplified: , dà yè) or Camellia sinensis var. assamica, which is found in southwest China as well as the bordering tropical regions in Burma, Vietnam, Laos, and the very eastern parts of India. The shoots and young leaves from this varietal are often covered with fine hairs, with the pekoe (two leaves and a bud) larger than other tea varietals. The leaves are also slightly different in chemical composition, which alter the taste and aroma of the brewed tea, as well as its desirability for aging. Due to the scarcity of old wild tea trees, pu-erh made using such trees blended from different tea mountains of Yunnan are highly valued, while more and more connoisseurs are seeking pu-erh with leaves taken from a single tea mountain's wild forests. The history of pu-erh tea can be traced back to the Eastern Han Dynasty.[2]

Pu-erh is well known for the fact that it is a compressed tea and also that it typically ages well to produce a pleasant drink. Through storage, the tea typically takes on a darker colour and mellower flavour characteristics. Often pu-erh leaves are compressed into tea cakes or bricks, and are wrapped in various materials, which when stored away from excessive moisture, heat, and sunlight help to mature the tea. Pressing of pu-erh into cakes and aging the tea cakes possibly originated from the natural aging process that happened in the storerooms of tea drinkers and merchants, as well as on horseback caravans on the Ancient tea route (茶馬古道; pinyin: chámǎ gǔdaò) that was used in ancient Yunnan to trade tea to Tibet and more northern parts of China.[3] Compression of the tea into dense bulky objects likely eased horseback transport and reduced damage to the tea.

[edit] Production

All types of pu-erh tea are created from máochá(), a mostly unoxidized green tea processed from a "large leaf" variety of Camellia sinensis found in the mountains of southern Yunnan. Maocha can undergo "ripening" for several months prior to being compressed to produce ripened pu-erh (also commonly known as "cooked pu-erh"), or be directly compressed to produce raw pu-erh.

While unaged and unprocessed raw pu-erh is technically a type of green tea, ripened or aged raw pu-erh has occasionally been mistakenly categorised as a subcategory of black tea due to the dark red colour of its leaves and liquor. However, pu-erh in both its ripened or aged forms has undergone secondary oxidization and fermentation caused both by organisms growing in the tea as well as from free-radical oxidation, thus making it a unique type of tea.

In China, where fully-oxidised tea ("black tea") is known as "red tea," pu-erh is indeed classified as a "black tea" (defined as post-fermented), something which is resented by some who argue for a separate category for pu-erh as many other black teas tend to be of lower standard and status.

[edit] Raw pu-erh and Máochá

After picking appropriate tender leaves, the first step in making raw or ripened pu-erh is converting the leaf to máochá ( or ; literally, "light green rough tea" or "rough tea" respectively). Plucked leaves are handled gingerly to prevent bruising and unwanted oxidation. Weather permitting, the leaves are then spread out in the sun or a ventilated space to wilt and remove some of the water content.[4] On overcast or rainy days, the leaves will be wilted by light heating, a slight difference in processing that will affect the quality of the resulting maocha and pu-erh. The wilting process may be skipped altogether depending on the tea processor.

Relatively young Raw pu-erh. Note the grey and dark green tones.

The leaves are then dry pan-fried using a large wok in a process called "kill green" (; pinyin: shā qīng), which arrests enzyme activity in the leaf and prevents further oxidation. With enzymatic oxidation halted, the leaves can then be rolled, rubbed, and shaped through several steps into strands. The shaped leaves are then ideally dried in the sun and then manually picked through to remove bad leaves.[4] Once dry, máochá can be sent directly to the factory to be pressed into raw pu-erh, or to undergo further processing to make ripened pu-erh.[5] Sometimes maocha is aged uncompressed and sold at its maturity as aged loose-leaf raw pu-erh.

Raw pu-erh tea (Chinese: ; pinyin: shēngchá or Chinese: ; pinyin: qīngchá), also known as "uncooked pu-erh" or "green pu-erh," is simply máochá tea leaves that have been compressed into its final form without additional processing.

[edit] Ripe pu-erh

Ripened pu-erh. Note the orange-brown tone of the lighter leaves due to oxidation/fermentation.

Ripened pu-erh tea (Chinese: ; pinyin: shúchá) is pressed maocha that has been specially processed to imitate aged raw pu-erh. Although it is more commonly known as "cooked pu-erh," the process does not actually employ cooking to imitate the aging process. The term may come about due to inaccurate transliteration due to the dual meaning of "shú" (熟) as both "fully cooked" and "fully ripened" .

The process used to convert máochá into ripened pu-erh is a recent invention that manipulates conditions to approximate the result of the aging process by prolonged bacterial and fungal fermentation in a warm humid environment under controlled conditions, a technique called wòdūi (, "wet piling" in English), which involves piling, dampening, and turning the tea leaves in a manner much akin to composting.

The piling, wetting, and mixing of the piled máochá ensures even fermentation. The bacterial and fungal cultures found in the fermenting piles were found to vary widely from factory to factory throughout Yunnan, consisting of multiple strains of Aspergillus spp., Penicillium spp., yeasts, as well as wide range of other microflora. Control over the multiple variables in the ripening process, particularly humidity and the growth of Aspergillus spp., is key in producing ripened pu-erh of high quality.[6] Poor control in fermentation/oxidation process can result in bad ripened pu-erh, characterized by badly decomposed leaves and an aroma and texture reminiscent of compost. The ripening process typically takes anywhere from half a year to one year after it has begun. As such, a ripened pu-erh produced in early 2004 will be pressed in the winter of 2004/2005, and appear on the market between late 2005 or early 2006.

This process was first developed in 1972 by Menghai Tea Factory and Kunming Tea Factory[citation needed] to imitate the flavor and color of aged raw pu-erh. This technique was an adaptation of "wet storage" techniques that were being used by merchants to falsify the age of their teas. Mass production of ripened pu-erh began in 1975. It can be consumed without further aging, though it can also be stored to "air out" some of the less savory flavors and aromas acquired during fermentation. The tea is often compressed but is also common in loose form. Some collectors of pu-erh believe that ripened pu-erh should not be aged for more than a decade.

[edit] Pressing

A "Hand-pressed" pu-erh bing, revealing the hollow knot dimple in its rear face and an uneven edge

To produce pu-erh many additional steps are needed prior to the actual pressing of the tea. First, a specific quantity of dry máochá or ripened tea leaves pertaining to the final weight of the bingcha is weighed out. The dry tea is then lightly steamed in perforated cans to soften and make it more tacky. This will allow it to hold together and not crumble during compression. A ticket, called a "Nèi fēi" () or additional adornments, such as coloured ribbons, are placed on or in the midst of the leaves and inverted into a cloth bag or wrapped in cloth. The pouch of tea is gathered inside the cloth bag and wrung into a ball, with the extra cloth tied or coiled around itself. This coil or knot is what produces the dimpled indentation at the reverse side of a tea cake when pressed. Depending on the shape of pu-erh being produced, a cotton bag may or may not be used. For instance, brick or square teas often are not compressed using bags.[7][8]

Depending on the desired product and speed, from quickest and tightest to slowest and loosest, pressing can either be done by:

  • A hydraulic press, which forces the tea into a metal form that is occasionally decorated with a motif in sunken-relief. Due to its efficiency, this method is commonly used to make all forms of pressed pu-erh. Tea can be pressed in the press either with or without it being bagged, with the latter done by utilizing a metal mould. Tightly compressed bing, formed directly into a mold without bags using this method are known as tié bǐng (, literally "iron cake/puck") due to its density and hardness. It is believed that the taste of densely compressed raw pu-erhs can benefit from careful aging for up to several decades.
  • A lever press, which was operated by hand for tight pressings and has largely been replaced by the modern hydraulic press.
  • A large heavy stone, carved into the shape of a short cylinder with a handle, simply weighs a bag of tea down onto a wooden board. The tension from the bag and the weight of the stone together gives the tea its rounded and sometimes non-uniformed edge. Due to the manual labor involved, this method of pressing is often referred to as: "Hand" or "Stone-pressing," and is how many artisanal pu-erh bing are still manufactured.

Pressed pu-erh is removed from the cloth bag and placed on latticed shelves where they are allowed to air dry, which depending on the wetness of the pressed cakes may take several weeks or months.[4] The pu-erh cakes are then individually wrapped by hand, and packaged in larger units for trade or commerce.

[edit] Classification

Aside from vintage year, pu-erh tea can be classified in a variety of ways: by shape, processing method, region, cultivation, grade, and season.

[edit] Shape

Pu-erh is compressed into a variety of shapes. Other lesser seen forms include, stacked "melon pagodas", pillars, calabashes, yuanbao, and small bricks (2–5 cm in width). Pu-erh is also compressed into the hollow centers of bamboo stems or packed and bound into a ball inside the peel of various citrus.

ImageCommon nameChinese charactersPinyinDescription
ST
Haiwan bingcha.jpg Bing, Beeng, Cake, or Disc Bǐngchá A round, flat, disc or hockey puck-shaped tea. Size ranges from as small as 100g to as large as 5 kg or more, with 357g, 400g, and 500g being the most common. Depending on the pressing method, the edge of the disk can be rounded or perpendicular. Also commonly known as Qīzí bǐngchá (七子餅茶, literally "Seven units cake tea") because seven of the bing are packaged together at a time for sale or transport.
Xiaguan 1992 tuo cha.jpg Tuocha, Bowl, or Nest Tuóchá A convex knob-shaped tea with size ranging from 3g to 3 kg or more, with 100g, 250g, 500g being the most common. The name for "tuocha" is believed to have originated from the round, top-like shape of the pressed tea or from the old tea shipping and trading route of the Tuojiang River.[9] In ancient times, tuocha cakes may have had holes punched through the center so that they could be tied together on a rope for easy transport.
Zhuan cha.jpg Brick Zhuānchá A thick rectangular block of tea, usually in 100g, 250g, 500g, and 1000g sizes. Zhuancha bricks are the traditional shape that was used for ease of transport along the Ancient tea route by horse caravans.
Fang cha.jpg Square Fāngchá A flat square of tea, usually in 100g or 200g sizes. They often contain words that are pressed into the square.
Jincha.jpg Mushroom Jǐnchá Literally meaning "tight tea," the tea is shaped much like túocha, but with a stem rather than a convex hollow. This makes them quite similar in form to a mushroom. Pu-erh tea of this shape is generally produced for Tibetan consumption, and is usually 250g or 300g.
Golden melon.jpg Melon, or Gold melon Jīnguā A shape similar to tuóchá, but larger in size with a much thicker body that is decorated with pumpkin-like "stripes". This shape was created for the famous "Tribute tea" () that was made expressly for the Qing Dynasty Emperors from the best tea leaves of Yiwu Mountain. Larger specimens of this shape are sometimes called "Human-head tea" () due in part to its size and shape, as well as the fact that in the past it was often presented in court in a similar manner to severed heads of enemies or criminals.

[edit] Process and oxidation

Although pu-erh teas are often collectively classified in Western and East Asian tea markets as post-fermentation or black teas, respectively, pu-erh teas in actuality can be placed in three types of processing methods, namely: green tea, fermented tea, and secondary-oxidation/fermentation tea.

Pieces of a 1970's "Green/raw" Guang yun tribute teacake(廣雲貢餅). Note that aging has turned the previously green leaves of this cake to a brownish black colour

Pu-erh can be green teas if they are lightly processed before being pressed into cakes. Such pu-erh is referred to as maocha if unpressed and as "green/raw pu-erh" if pressed. While not always palatable, they are relatively cheap and are known to age well for up to 20 or 30 years. Pu-erh can also be a fermented tea if it undergoes slow processing with fermenting microbes for up to a year. This pu-erh is referred to as "ripened/cooked pu-erh", and has a mellow flavour and is readily drinkable. Aged pu-erhs are secondary-oxidation and post-fermentation teas. If aged from green pu-erh, the aged tea will be mellow in taste but still clean in flavour.

According to the production process, four main types of pu-erh are commonly available on the market:

  • Maocha: Green pu-erh leaves that are sold in loose form. The raw material for making pressed pu-erhs. Badly processed maocha will result in an inferior pu-erh.
  • Green/raw pu-erh: Pressed maocha that has not undergone additional processing. Quality green pu-erh is highly sought by collectors.
  • Ripened/cooked pu-erh: Pressed maocha that has undergone fermentation in the ripening process for up to a year. Badly fermented maocha will create a muddy tea with fishy and sour flavours indicative of inferior aged pu-erhs.
  • Aged raw pu-erh: A tea that has undergone a slow secondary oxidation and a certain degree of microbial fermentation. Although all types of pu-erh can be aged, it is typically the pressed raw pu-erhs that are most highly regarded, since aged maocha and ripened pu-erh both lack a "clean" and "assertive" taste.

[edit] Regions

[edit] Yunnan

Yunnan province produces the vast majority of pu-erh tea. Indeed, the province is the source of the tea's name, Pu'er Hani and Yi Autonomous County. Pu-erh is produced in almost every county and prefecture in the province, but the most famous pu-erh areas are known as the Six Famous Tea Mountains (Chinese: ; pinyin: liù dà chá shān)

[edit] Six famous tea mountains

The six famous tea mountains are a group of mountains in Xishuangbanna that are renowned for their climates and environments, which not only provide excellent growing conditions for pu-erh, but also produce unique taste profiles (akin to terroir in wine) in the produced pu-erh tea. Over the course of history, the designated mountains for the tea mountains have either been changed[10] or listed differently.[11][12][13]

In the Qing dynasty government records for pu-erh (普洱府志), the oldest historically designated mountains were said to be named after six commemorative items that were left in the mountains by Zhuge Liang,[12] and using the Chinese characters of the native language of the region.[14] These mountains are all located northeast of the Lancang River (Mekong) in relatively close proximity to one another. The mountains' names, in the Standard Mandarin character pronunciation are:

  1. Gedeng (): The term for "leather stirrup" (, pinyin: mǎdèng)
  2. Mansa (): The term for "seed sowing bag" (, pinyin: sǎdài)
  3. Mangzhi (): The term for "copper cauldron" (, pinyin: tóngmǔ) [note 1]
  4. Manzhuan (): The term for iron brick" (, pinyin: tiězhuān)
  5. Yibang(): The term for "wooden clapper" (, pinyin: mùbāng)
  6. Yōulè (): The term meaning "copper gong" (, pinyin: tóngluó)

Southwest of the river there are also six famous tea mountains that are lesser known from ancient times due to their isolation by the river.[13] They are:

  1. Mengsong Shān (勐宋山):
  2. Menghai Shān (勐海山):
  3. Jingmai Shān (景迈山):
  4. Nánnuò Shān (): a varietal of tea grows here called z?juān (, literally "purple lady") whose buds and bud leaves have a purple hue.
  5. Bada Shān (巴达山):
  6. Yōulè Shān ():

For various reasons, by the end of the Qing dynasty or beginning of the ROC period, tea production in these mountains dropped drastically, either due to large forest fires, over-harvesting, prohibitive imperial taxes, or general neglect.[10][14] To revitalize tea production in the area, the Chinese government in 1962 selected a new group of six famous tea mountains that were named based on the more important tea producing mountains at the time, including Youle mountain from the original six.[10]

[edit] Other areas of Yunnan

Many other areas of Yunnan also produce pu-erh tea. Yunnan prefectures that are major producers of pu-erh include Lincang, Dehong, Simao, Xishuangbanna, and Wenshan. Other tea mountains famous in Yunnan include among others:

  • Bāngwēi Shān ()
  • Bānzhāng (): a Hani ethnicity village in the Bulang Mountains, noted for producing powerful and complex teas that are bitter with a sweet aftertaste
  • Yìwǔ Shān () : perhaps the most popular tea mountain amongst collectors.
  • Bada Shān(巴達山):
  • Wuliang Shān:
  • Ailuo Shān:
  • Jinggu Shān:
  • Baoshan Shān:
  • Yushou Shān:

Region is but one factor in assessing a pu-erh tea, and pu-erh from any region of Yunnan is as prized as any from the six famous tea mountains if it meets other criteria, such as being wild growth, hand-processed tea.

[edit] Other provinces

While Yunnan produces the majority of pu-erh, other regions of China, including Hunan and Guangdong, have also produced the tea. The Guangyun Gong cake, for example, featured a blend of Yunnan and Guangdong máochá, and the most recent production of these cakes contains mostly from the latter.[15]

In late 2008, the Chinese government approved a standard declaring Puer tea as a "product with geographical indications", which would restrict the naming of tea as Puer to tea produced within specific regions of the Yunnan province. The standard has been disputed, particularly by producers from Guangdong.[16]

[edit] Other regions

In addition to China, border regions touching Yunnan in Vietnam, Laos, and Burma are also known to produce pu-erh tea, though little of this makes its way to the Chinese or international markets.

[edit] Cultivation

Perhaps equally or even more important than region or even grade in classifying pu-erh is the method of cultivation. Pu-erh tea can come from three different cultivation methods:

  • Plantation bushes (guànmù, ; taídì, ): Cultivated tea bushes, from the seeds or cuttings of wild tea trees and planted in relatively low altitudes and flatter terrain. The tea produced from these plants are considered inferior due to the use of pesticides and chemical fertilizer in cultivation, and the lack of pleasant flavours, and the presence of harsh bitterness and astringency from the tea.
  • "Wild arbor" trees (yěfàng, ): Most producers claim that their pu-erh is from wild trees, but most use leaves from older plantations that were cultivated in previous generations that have gone feral due to the lack of care. These trees produce teas of better flavour due to the higher levels of secondary metabolite produced in the tea tree. As well, the trees are typically cared for using organic practices, which includes the scheduled pruning of the trees in a manner similar to pollarding. Despite the good quality of their produced teas, "wild arbor" trees are not as prized as the truly wild trees.
  • Wild trees (g?shù, ; literally "old tree"): Teas from old wild trees, grown without human intervention, are the highest valued pu-erh teas. Such teas are valued for having deeper and more complex flavors, often with camphor or "mint" notes, said to be imparted by the many camphor trees that grow in the same environment as the wild tea trees. Young raw pu-erh teas produced from the leaf tips of these trees also lack overwhelming astringency and bitterness often attributed to young pu-erh.

Determining whether or not a tea is wild is a challenging task, made more difficult through the inconsistent and unclear terminology and labeling in Chinese. Terms like yěshēng (; literally "wild" or "uncultivated"), qiáomù (; literally "tall tree"), yěshēng qiáomù (; literally "uncultivated trees"), and gǔshù are found on the labels of cakes of both wild and "wild arbor" variety, and on blended cakes, which contain leaves from tea plants of various cultivations. These inconsistent and often misleading labels can easily confuse uninitiated tea buyers regardless of their grasp of the Chinese language. As well, the lack of specific information about tea leaf sources in the printed wrappers and identifiers that come with the pu-erh cake makes identification of the tea a difficult task. Pu-erh journals and similar annual guides such as The Profound World of Chi Tse, Pu-erh Yearbook, and Pu-erh Teapot Magazine contain credible sources for leaf information. Tea factories are generally honest about their leaf sources, but someone without access to tea factory or other information is often at the mercy of the middlemen or an unscrupulous vendor. Many pu-erh aficionados seek out and maintain relationships with vendors who they feel they can trust to help mitigate the issue of finding the "truth" of the leaves.

Sadly, even in the best of circumstances, when a journal, factory information, and trustworthy vendor all align to assure a tea's genuinely wild leaf, fakes fill the market and make the issue even more complicated. Because collectors often doubt the reliability of written information, some believe certain physical aspects of the leaf can point to its cultivation. For example, drinkers cite the evidence of a truly wild old tree in a menthol effect ("camphor" in tea specialist terminology) supposedly caused by the Camphor laurel trees that grow amongst wild tea trees in Yunnan's tea forests.[17] As well, the presence of thick veins and sawtooth-edged on the leaves along with camphor flavor elements and taken as signifiers of wild tea.[18]

[edit] Grade

Pu-erh can be sorted into ten or more grades. Generally, grades are determined by leaf size and quality, with higher numbered grades meaning older/larger, broken, or less tender leaves. Grading is rarely consistent between factories, and first grade tea leaves may not necessarily produce first grade cakes. Different grades have different flavors, and many bricks feature a blend of several grades chosen to balance flavors and strength.[19]

[edit] Season

Harvest season also plays an important role in the flavor of pu-erh. Spring tea is the most highly valued, followed by fall tea, and finally summer tea. Only rarely is pu-erh produced in winter months, and often this is what is called "early spring" tea, as harvest and production follows the weather pattern rather than strict monthly guidelines.

[edit] Tea factories

A Menghai microprinted ticket, first appearing in 2006

Factories are generally responsible for the production of pu-erh teas. While some individuals oversee smaller higher-end productions, such as the Xizihao and Yanqinghao brands,[18] the majority of tea on the market is compressed by factories or tea groups. Until recently, factories were all state owned and under the supervision of the China National Native Produce & Animal Byproducts Import & Export company (CNNP), Yunnan Branch. Kunming Tea Factory, Menghai Tea Factory, Pu'er Tea Factory and Xiaguan Tea Factory are the most notable of these state owned factories. While CNNP still operates today, few factories are state-owned, and CNNP contracts out many productions to privately owned factories.

Different tea factories have garnered good reputations. Menghai Tea Factory and Xiaguan Tea Factory, which date from the 1940s, have enjoyed good reputations, but these factories now face competition from many of the newly emerging private factories. For example, Haiwan Tea Factory, founded by former Menghai Factory owner Zhou Bing Liang in 1999,[20] enjoys a good reputation, as does Changtai Tea Group, Mengku Tea Company, and other new tea makers formed in the 1990s. However, due to production inconsistencies and variations in manufacturing techniques, the reputation of a tea company or factory can vary depending on the year or the specific cakes produced during a year.

The producing factory is often the first or second item listed when referencing a pu-erh cake, the other being the year of production.

[edit] Recipes

Tea factories, particularly formerly government-owned factories, produce many cakes by its recipe tea blends, indicated by a recipe number. Recipe numbers consists of four-digits. The first two digits represent the year the recipe was first produced, the third digit the grade of leaves used in the recipe, and the last digit represents the factory. 7542, for example, would be a recipe from 1975 using fourth-grade tea leaf made by Menghai Tea Factory (represented by 2). There are also those who believe that the third number indicates a recipe for a particular production year.[7]

  • Factory numbers (fourth digit in recipe):
    1. Kunming Tea Factory
    2. Menghai Tea Factory
    3. Xiaguan Tea Factory
    4. Lan Cang Tea Factory[21] or Feng Qing Tea Factory[7]
    5. Pu'er Tea Factory (now Pu'er Tea group Co.Ltd )
    6. Six Famous Tea Mountain Factory
    7. unknown / not specified
    8. Haiwan Tea Factory and Long Sheng Tea Factory[7]

Tea of all shapes can be made by numbered recipe. Not all recipes are numbered, and not all cakes are made by recipe. The term "recipe," it should be added, does not always indicate consistency, as the quality of some recipes change from year-to-year, as do the contents of the cake. Perhaps only the factories producing the recipes really know what makes them consistent enough to label by these numbers.

Occasionally, a three digit code is attached to the recipe number by hyphenation. The first digit of this code represents the year the cake was produced, and the other two numbers indicate the production number within that year. For instance, the seven digit sequence 8653-602, would indicate the second production in 2006 of factory recipe 8653. Some productions of cakes are valued over others because production numbers can indicate if a tea was produced earlier or later in a season/year. This information allows one to be able to single out tea cakes produced using a better batch of máochá.

[edit] Tea packaging

Pu-erh tea is specially packaged for trade, identification, and storage. These attributes are used by tea drinkers and collectors to determine the authenticity of the pu-erh tea.

[edit] Individual cakes

Typical contents of a wrapped B?ngchá

Pu-erh tea cakes, or B?ngchá, are almost always sold with[21] a:

  • Wrapper: Made usually from thin cotton cloth or cotton paper and shows the tea company/factory, the year of production, the region/mountain of harvest, the plant type, and the recipe number. The wrapper can also contain decals, logos and artwork. Occasionally, more than one wrapper will be used to wrap a pu-erh cake.
  • Nèi fēi ( or ): A small ticket originally stuck on the tea cake but now usually embedded into the cake during pressing. It is usually used as proof, or a possible sign, to the authenticity of the tea. Some higher end pu-erh cakes have more than one nèi fēi embedded in the cake. The ticket usually indicates the tea factory and brand.
  • Nèi piào (): A larger description ticket or flyer packaged loose under the wrapper. Both aid in assuring the identity of the cake. It usually indicates factory and brand. As well, many nèi piào contain a summary of the tea factories' history and any additional laudatory statements concerning the tea, from its taste and rarity, to its ability to cure diseases and affect weight loss.
  • B?ng: The tea cake itself. Tea cakes or other compressed pu-erh can be made up of two or more grades of tea, typically with higher grade leaves on the outside of the cake and lower grades or broken leaves in the center. This is done to improve the appearance of the tea cake and improve its sale. Predicting the grade of tea used on the inside takes some effort and experience in selection. However, the area in and around the dimple of the tea cake can sometimes reveal the quality of the inner leaves.
A t?ng of recipe 7742 tea cakes wrapped in bamboo shoot husks

Recently, nèi fēi have become more important in identifying and preventing counterfeits. Menghai Tea Factory in particular has begun microprinting and embossing their tickets in an effort to curb the growth of counterfeit teas found in the marketplace in the late 1990s and early 2000s. Some nèi fēi also include vintage year and are production-specific to help identify the cake and prevent counterfeiting through a surfeit of different brand labels.

[edit] Wholesale

When bought in large quantities, pu-erh tea is generally sold in stacks, referred to as a t?ng (), which are wrapped in bamboo shoot husks, bamboo stem husks, or coarse paper. Some tongs of vintage pu-erh will contain a t?ng piào (), or tong ticket, but it is less common to find them in productions past the year 2000.[4] The number of b?ngchá in a t?ng varies depending on the weight of individual b?ngchá. For instance one t?ng can contain:

  • Seven 357g-500g b?ngchá,
  • Five 250g mini-b?ngchá
  • Ten 100g mini-b?ngchá

Twelve t?ng are referred to as being one jiàn (), although some producers/factories vary how many t?ng equal one jiàn. A jiàn of tea, which is bound together in a loose bamboo basket, will usually have a large batch ticket (; pinyin: dàpiào) affixed to its side that will indicate information such as the batch number of the tea in a season, the production quantities, tea type, and the factory where it was produced.[4]

[edit] Aging and storage

Pu-erh teas of all varieties, shapes, and cultivation can be aged to improve their flavour, but the tea's physical properties will affect the speed of aging as well as its quality. These properties include:

  • Leaf quality: The most important factor, arguably, is leaf quality. Maocha that has been improperly processed will not age to the level of finesse as properly processed maocha. The grade and cultivation of the leaf also greatly affect its quality, and thus its aging.
  • Compression: The tighter a tea is compressed, the slower it will age. In this respect, looser hand- and stone-pressed pu-erhs will age more quickly than denser hydraulic-pressed pu-erh.
  • Shape and size : The more surface area, the faster the tea will age. Bingcha and zhuancha thus age more quickly than golden melon, tuocha, or jincha. Larger bingcha age slower than smaller bingcha, and so forth.

Just as important and the tea's properties, environmental factors for the tea's storage also affect how quickly and successfully a tea ages. They include:

  • Air flow: Regulates the oxygen content surrounding the tea and removes odours from the aging tea. Dank, stagnant air will lead to dank, stale smelling aged tea. Wrapping a tea in plastic will eventually arrest the aging process.
  • Odours: Tea stored in the presence of strong odours will acquire them, sometimes for the duration of their "lifetime." Airing out pu-erh teas can reduce these odours, though often not completely.
  • Humidity : The higher the humidity, the faster the tea will age. Liquid water accumulating on tea may accelerate the aging process but can also cause the growth of mold or make the flavour of the tea less desirable. 60-85% humidity is recommended.[22] It is argued whether tea quality is adversely affected if it is subjected to highly fluctuating humidity levels.
  • Sunlight: Tea that is exposed to sunlight dries out prematurely, and often becomes bitter.
  • Temperature: Teas should not be subjected to high heat since undesirable flavours will develop. However at low temperatures, the aging of pu-erh tea will slow down drastically. It is argued whether tea quality is adversely affected if it is subjected to highly fluctuating temperature.

When preserved as part of a tong, the material of the tong wrapper, whether it is made of bamboo shoot husks, bamboo leaves, or thick paper, can also affect the quality of the aging process. The packaging methods change the environmental factors and may even contribute to the taste of the tea itself.

Further to what has been mentioned it should be stressed that a good well-aged Puerh tea is not evaluated by its age alone. Like all things in life, there will come a time when a Puerh teacake reaches its peak before stumbling into a decline. Due to the many recipes and different processing method used in the production of different batches of Puerh, the optimal age for each age will vary. Some may take 10 years while others 20 or 30+ years. It is important to check the status of ageing for your teacakes to know when they peaked so that proper care can be given to halt the ageing process.[23]

[edit] Raw pu-erh

Over time, raw pu-erh acquires an earthy flavor due to slow oxidation and other, possibly microbial processes. However, this oxidation is not analogous to the oxidation that results in green, oolong, or black tea, because the process is not catalyzed by the plant's own enzymes but rather by fungal, bacterial, or autooxidation influences. Pu-erh flavors can change dramatically over the course of the aging process, resulting in a brew tasting strongly earthy but clean and smooth, reminiscent of the smell of rich garden soil or an autumn leaf pile, sometimes with roasted or sweet undertones. Because of its ability to age without losing "quality", well aged good pu-erh gains value over time in the same way that aged roasted oolong does.[24]

Raw pu-erh can undergo "wet storage" (shīcāng, 湿) and "dry storage" (gāncāng ), with teas that have undergone the latter ageing more slowly, but thought to show more complexity. Dry storage involves keeping the tea in "comfortable" temperature and humidity, thus allowing the aging process to occur slowly. Wet Storage or "humid storage" refers to the storage of pu-erh tea in humid environments, such as those found naturally in Hong Kong, Guangzhou and, to a lesser extent, Taiwan.

The practice of "Pen Shui" involves spraying the tea with water and allowing it dry off in a humid environment. This process speeds up oxidation and microbial conversion, which only loosely mimics the quality of natural dry storage aged pu-erh. "Pen Shui" pu-erh not only does not acquire the nuances of slow aging, it can also be hazardous to drink because of mold, yeast, and bacteria cultures.

Pu-erh properly stored in different environments can develop different tastes at different rates due to environmental differences in ambient humidity, temperature, and odours.[4] For instance, similar batches of pu-erh stored in the different environments of Taiwan and Hong Kong are known to age very differently. Because the process of aging pu-erh is a lengthy one and teas may change owners several times, a batch of pu-erh may undergo different aging conditions, even swapping wet and dry storage conditions, which can drastically alter the flavor of that tea. Raw pu-erh should not be stored at very high temperatures, or be exposed to direct contact with sunlight, heavy air flow, liquid water, or unpleasant smells, since such poor storage conditions can ruin even the best quality pu-erh.

Although low to moderate air flow is important for producing a good quality aged raw pu-erh, it is generally agreed by most collectors and connoisseurs that raw pu-erh tea cakes older than 30 years old should not be further exposed to "open" air since it would result in the loss of flavours or degradation in mouthfeel. The tea should instead be preserved by wrapping or hermetically sealing it in plastic wrapping or ideally glass.[25]

[edit] Ripe pu-erh

Since the ripening process was developed to imitate aged raw pu-erh, many arguments surround the idea of whether aging ripened pu-erh is desirable. Mostly, the issue rests on whether aging ripened pu-erh will, better or worse, alter the flavor of the tea.

It is often recommended to age ripened pu-erh to "air out" the unpleasant musty flavours and odours formed due to maocha fermentation. However, some collectors argue that keeping ripened pu-erh longer than 10 to 15 years makes little sense, stating that the tea will not develop further and possibly lose its desirable flavours. Others note that their experience has taught them that ripened pu-erh indeed does take on nuances through aging,[21] and point to side-by-side taste comparisons of ripened pu-erh of different ages. Though the storing period increases the value of the tea, it is not often that such actions will be taken as it is not economically efficient.[25]

[edit] Preparation

Preparation of pu-erh involves first separating a well-sized portion of the compressed tea for brewing. This can be done by flaking off pieces of the cake or by steaming the entire cake until it is soft from heat and hydration.[21] A pu-erh knife, which is similar to an oyster knife or a rigid letter opener, is used to pry large horizontal flakes of tea off the cake such as to minimize leaf breakage. Steaming is usually performed on smaller teas such as tuocha or mushroom pu-erh and involves steaming the cake until it can be rubbed apart and then dried. In both cases, a vertical sampling of the cake should be obtained since the quality of the leaves in a cake usually varies between the surface and the center of the cake.

Pu-erh is generally expected to be served Gongfu style, generally in Yixing teaware or in a type of Chinese teacup called a gaiwan. Optimum temperatures are generally regarded to be around 95 degree Celsius for lower quality pu-erhs and 85-89 degree Celsius for good ripened and aged raw pu-erh. Steeping times last from 12–30 seconds in the first few infusions, up to 2–10 minutes in the last infusions. The prolonged steeping techniques used by some western tea makers can produce dark, bitter, and unpleasant brews. Quality aged pu-erh can yield many more infusions, with different flavour nuances when brewed in the traditional Gong-Fu method.[26]

Because of the prolonged fermentation in ripened pu-erh and slow oxidization of aged raw pu-erh, these teas often lack the bitter, astringent properties of other tea types, and also can be brewed much stronger and repeatedly, with some claiming 20 or more infusions of tea from one pot of leaves.[27] On the other hand, young raw pu-erh is known and expected to be strong and aromatic, yet very bitter and somewhat astringent when brewed, since these characteristics are believed to produce better aged raw pu-erh.

[edit] Judging quality

Spent leaves of badly stored shou pu-erh. Note the crumbling leaf faces that are barely held together by leaf veins

Quality of the tea can be determined through inspecting the dried leaves, the tea liquor, or the spent tea leaves. The "true" quality of a specific batch of pu-erh can ultimately only be revealed when the tea is brewed and tasted. Although, not concrete and sometimes dependent on preference, there are several general indicators of quality:

  • Dried tea: There should be a lack of twigs, extraneous matter and white or dark mold spots on the surface of the compressed pu-erh. The leaves should ideally be whole, visually distinct, and not appear muddy. The leaves may be dry and fragile, but not powdery. Good tea should be quite fragrant, even when dry. Good pressed pu-erh often have a matte sheen on the surface of the cake, though this is not necessarily a sole indicator of quality
  • Liquor: The tea liquor of both raw and ripe pu-erh should never appear cloudy. Well-aged raw pu-erh and well-crafted ripe pu-erh tea may produce a dark reddish liquor, reminiscent of a dried jujube, but in either case the liquor should not be opaque, "muddy," or black in colour. The flavours of pu-erh liquors should persist and be revealed throughout separate or subsequent infusions, and never abruptly disappear, since this could be the sign of added flavorants.
    • Young raw puerh:The ideal liquors should be aromatic with a light but distinct odours of camphor, rich herbal notes like Chinese medicine, fragrance floral notes, hints of dried fruit aromas such as preserved plums, and should exhibit only some grassy notes to the likes of fresh sencha. Young raw pu-erh may sometimes be quite bitter and astringent, but should also exhibit a pleasant mouthfeel and "sweet" aftertaste, referred to as gān (甘) and húigān(回甘).
    • Aged raw puerh: Aged pu-erh should never smell moldy, musty, or strongly fungal, though some pu-erh drinkers consider these smells to be unoffensive or even enjoyable. The smell of aged pu-erh may vary, with an "aged" but not "stuffy" odour. The taste of aged raw pu-erh or ripe pu-erh should be smooth, with slight hints of bitterness, and lack a biting astringency or any off-sour tastes. The element of taste is an important indicator of aged pu-erh quality, the texture should be rich and thick and should have very distinct gān (甘) and húigān(回甘) on the tongue and cheeks, which together induces salivation and leaves a "feeling" in the back of the throat.
  • Spent tea: Whole leaves and leaf bud systems should be easily seen and picked out of the wet spent tea, with a limited amount of broken fragments. Twigs, and the fruits of the tea plant should not be found in the spent tea leaves, however animal (and human) hair, strings, rice grains and chaff may occasionally be included in the tea. The leaves should not crumble when rubbed, and with ripened pu-erh, it should not resemble compost. Aged raw puerh should have leaves that unfurl when brewed while leaves of most ripened puerh will generally remain closed.

[edit] Practices

In Cantonese culture, pu-erh is known as po-lay (or bo-lay) tea. Among the Cantonese long settled in California, it is called bo-nay or po-nay tea. It is often drunk during dim sum meals, as it is believed to help with digestion. It is not uncommon to add dried osmanthus flowers, pomelo rinds, or chrysanthemum flowers into brewing pu-erh tea in order to add a light, fresh fragrance to the tea liquor. Pu-erh with chrysanthemum is the most common pairing, and referred as guk pou or guk bou (; pinyin: jú pǔ). Pu-erh is considered to have some medicinal qualities.

Sometimes wolfberries are brewed with the tea, plumpening in the process.

[edit] Health

Drinking pu-erh tea is purported to reduce blood cholesterol.[28] This belief has been backed up by scientific studies not only demonstrating experimental results of lowered LDL cholesterol in rats, but discovering specific mechanisms through which chemicals in Pu-erh tea inhibit the synthesis of cholesterol.[29][30] Pu-erh tea has been shown to have antimutagenic and antimicrobial properties as well.[31]

It is also widely believed in Chinese cultures to counteract the unpleasant effects of heavy alcohol consumption. In traditional Chinese medicine, the tea is believed to invigorate the spleen and inhibit "dampness." In the stomach, it is believed to reduce heat and "descends qi".[32]

Pu-erh tea is widely sold as a weight loss tea or used as a main ingredient in such commercially prepared tea mixtures. Though there is as yet no empirically backed evidence as to how pu-erh might facilitate weight loss, there are widely proposed explanations include that the tea increases the drinker's metabolism, or that the high tannin[dubious ] content in the tea binds macronutrients and coagulate digestive enzymes, thus reducing nutrient absorption. Although evidence is still sparse, it has been shown that rats experience reduction in body weight, blood triglycerides, and blood cholesterol following a diet containing pu-erh tea.[33]

Some pu-erh brick tea has been found to contain very high levels of fluorine, because it is generally made from lesser quality older tea leaves and stems, which accumulate fluorine.[34] Its consumption has led to fluorosis (a form of fluoride poisoning that affects the bones and teeth) in areas of high brick tea consumption, such as Tibet.[35][36]

[edit] Investment

Pu-erh tea can generally improve in taste over time (due to natural secondary oxidation and fermentation). Teas that can be aged finely are typically:

  1. Made from high quality material
  2. Processed skillfully
  3. Stored properly over the years

The common misconception is that all types of pu-erh tea will improve in taste—and therefore get more valuable as an investment item—as they get older. There are many requisite variables for a pu-erh tea to age beautifully. Further, the cooked (shou) pu-erh will not evolve as dramatically as the raw (sheng) type will over time from the secondary oxidation and fermentation.

As with wine, only the finely made and properly stored ones will improve and increase in value. Similarly, the percentage of those that will improve over a long period of time is only a small fraction of what is available in the market today.

Beginning in 2008, much of the Pu'er industry suffered a tremendous drop in prices. Consequently, many have lost their fortunes and some have even decided to stop selling, growing, or distributing Pu'er as a result of the financial loss plaguing many of those in the industry. Investment-grade Pu'er has witnessed declines in price as well, although not as drastically as those varieties which are more common.[37]

[edit] Notes

  1. ^ Among many of the minority groups of China's southwest, the Chinese character is used to indicate cauldrons or pots.[38] The original transliteration of this character in The Famous Tea Mountains of Southern Yunnan, however, is "boa".[10]

[edit] References

  1. ^ Zhen, Shen (2004-02-02). "Qing Dynasty tea to be auctioned". China Daily. http://www.chinadaily.com.cn/english/doc/2004-02/02/content_302320.htm 
  2. ^ ""Han"". https://www.artoftea.com/learn_about_tea/puerh.htm.  Puerh History http://www.artoftea.com, Art of Tea (June 14, 2006)
  3. ^ Mike Petro, ""Pu-erh History and Culture"". http://www.pu-erh.net/sections.php?Choice=Puerh_History. , Pu-Erh.net (May 7, 2006)
  4. ^ a b c d e f Chan, Kam Pong (November 2006). First-Step to Chinese Puerh Tea (簡易中國普洱茶). Taipei, Taiwan: WuShing Books Publications Co. Ltd.. ISBN 978-957-8964-33-4. 
  5. ^ Jonathan Sielaff, ""Making Mao Cha"". http://www.taooftea.com/display.php3?id=&num=33. , TaoofTea.com
  6. ^ 陈可可, 朱宏涛, 王东, 张颖君, 杨崇仁. (2006). 普洱熟茶后发酵加工过程中曲霉菌的分离和鉴定/Isolation and Identification of Aspergillus Species from the Post Fermentative Process of Pu-Er Ripe Tea. 云南植物研究/ACTA BOTANICA YUNNANICA. (28)2. pp. 123-126 (Chen Keke, et al.)
  7. ^ a b c d Mike Petro, ""Puerh Factories"". http://www.pu-erh.net/factories.php.  Pu-Erh.net
  8. ^ 叶伟, "" 纯正的云南普洱茶真正的干仓普洱茶"". http://www.ynttc.com/puerwenzhang/yunchamade.html. www.ynttc.com
  9. ^ ""云南名茶-云南沱茶"". http://www.yuncha.com.cn/php/yc_famous/index.php?id=1068522438. ,云南信息港 (Accessed Oct 20, 2006)
  10. ^ a b c d ""The Famous Tea Mountains of Southern Yunnan"". http://www.taooftea.com/display.php3?id=&num=38. , www.taooftea.com (Oct 25, 2006)
  11. ^ 蒋铨 (2005-08-29). "古“六大茶山”访问记". 昆明新境茶文化传播有限公司. http://www.ynxj.com/Get/gcsan/144611538.htm. Retrieved 2006-12-16. 
  12. ^ a b 蜉蝣 (2005-07-26). "六大茶山考". Tom 文化. http://cul.news.tom.com/1013/1016/2005726-20615.html. Retrieved 2006-12-16. 
  13. ^ a b "云南普洱茶分布". 7yunnan.cn. http://www.kmorder.cn/yntc/yncy/20060831234331.htm. Retrieved 2006-12-16. 
  14. ^ a b 普洱茶故乡-西双版纳、中国普洱茶, ""古“六大茶山”概况"". http://www.puerh.cn/1-gu3liu4da4cha2shan1.htm. , www.puerh.cn (Oct 25, 2006)
  15. ^ Guang Lee, " ""Guang Yun Gong Beeng"". http://www.houdeasianart.com/index.php?main_page=product_info&cPath=1_13_38&products_id=295". , Hou De Asian Art (October 7, 2005)
  16. ^ Shen Jingting (2009-06-15). ""Tempest over tea: What is the true Puer?"". China Daily. http://www.chinadaily.com.cn/bizchina/2009-06/15/content_8286028.htm. Retrieved 2009-06-23. 
  17. ^ Mike Petro, ""Puerh is truly unique in many ways"". http://www.pu-erh.net/static.php?StaticID=1. , Pu-Erh.net (September 1, 2006)
  18. ^ a b ""Hou De Asian Art"". http://www.houdeasianart.com. 
  19. ^ Mike Petro, ""Aging"". http://community.livejournal.com/puerh_tea/7127.html?thread=51927#t51927.  Pu-erh LJ Community (February 3, 2006)
  20. ^ Sebastien Leseine, ""2005 Haiwan Lao Tong Zhi Label"". http://www.jingteashop.com/pd_beeng_cha_lao.cfm.  Jing Tea Shop
  21. ^ a b c d Guang Lee, ""Pu-erh Information"". http://www.houdeasianart.com/index.php?main_page=puerhinfo.  Hou De Asian Art
  22. ^ Sebastien Leseine, ""How to store your pu-erh tea"". http://www.jingteashop.com/puerh_storage.cfm.  Jing Tea Shop(2005)
  23. ^ Ref tea article, ""Over Emphasizing the Importance of Age"". http://www.puerhcha.com/Pu-erh%20Tea%20Articles/Over_Emphasizing_Importance_of_Age.htm.  Puerh Cha
  24. ^ Guang Chung Lee (2006). ""The Varieties of Formosa Oolong"". Art of Tea. http://www.the-art-of-tea.com/viewissue.php?url=aXNzdWVfbm89MQ==. Retrieved 2006-12-12. , Issue 1 www.the-art-of-tea.com
  25. ^ a b Mike Petro, ""How to Age"". http://www.pu-erh.net/sections.php?Choice=How_To_Age.  Pu-Erh.net (May 7, 2006)
  26. ^ Puerh, Best, Electronics, Semiconductors, Electronic Component, Electronic Component Distributor, Semiconductor Industry, Semiconductor Equipment, Electronic Part
  27. ^ Teahub.com ""Authentic Old Pu-erh Tea"". http://www.teahub.com/puerhtea.htm. 
  28. ^ Hakim I.A., Alsaif M.A., Alduwaihy M., Al-Rubeaan K., Al-Nuaim A.R., Al-Attas O.S., (2002), "Tea Consumption and the Prevalence of Coronary Heart Disease in Saudi Adults: Results from A Saudi National Study", Preventive Medicine
  29. ^ [1] Chi-Hua Lua, Lucy Sun Hwang "Polyphenol contents of Pu-Erh teas and their abilities to inhibit cholesterol biosynthesis in Hep G2 cell line", Food Chemistry, Vol. 111, No. 1, (Nov. 1, 2008), pp. 67-71.
  30. ^ [2] Chiang, Chun-Te; Weng, Meng-Shih; Lin-Shiau, Shoei-Yn; Kuo, Kuan-Li; Tsai, Yao-Jen; Lin, Jen-Kun, "Pu-erh Tea Supplementation Suppresses Fatty Acid Synthase Expression in the Rat Liver Through Downregulating Akt and JNK Signalings as Demonstrated in Human Hepatoma HepG2 Cells", Oncology Research Featuring Preclinical and Clinical Cancer Therapeutics, Vol. 16, No. 3, (2006), pp. 119-128(10).
  31. ^ [3] She-Ching Wu, Gow-Chin Yen, Bor-Sen Wang, Chih-Kwang Chiu, Wen-Jye Yen, Lee-Wen Chang, Pin-Der Duh, "Antimutagenic and antimicrobial activities of pu-erh tea", LWT - Food Science and Technology, Vol. 40, No. 3, (Apr. 2007), pp. 506-512.
  32. ^ Sean Paajanen,"" Pu-erh Tea"". http://coffeetea.about.com/library/weekly/aa070302puerh.htm. , holymtn.com (Dec 12, 2006)
  33. ^ Lin, Jen-Kun; Shoei-Yn Lin-Shiau (September 28, 2005). "Mechanisms of hypolipidemic and anti-obesity effects of tea and tea polyphenols". Molecular Nutrition & Food Research (Weinheim: WILEY-VCH Verlag GmbH & Co. KGaA) 50 (2): 211–217. doi:10.1002/mnfr.200500138. PMID 16404708. http://www3.interscience.wiley.com/cgi-bin/abstract/112226513/ABSTRACT?CRETRY=1&SRETRY=0. 
  34. ^ Cao J., Zhao Y., Liu J., (1998), "Safety evaluation and fluorine concentration of Pu'er brick tea and Bianxiao brick tea" Food Chem. Toxicol. 36(12):1061-1063
  35. ^ Jin Cao, Xuexin Bai, Yan Zhao, Jianwei Liu, Dingyou Zhou, Shiliang Fang, Ma Jia, Jinsheng Wu, (1996), "The Relationship of Fluorosis and Brick Tea Drinking in Chinese Tibetans", Environmental Health Perspectives, 104(12)
  36. ^ Cao J., Zhao Y., Liu J., (1997), "Brick tea consumption as the cause of dental fluorosis among children from Mongol, Kazak and Yugu populations in China" Food Chem. Toxicol. 35(8):827-833
  37. ^ Andrew Jacobs, Jacobs, Andrew (January 17, 2009). ""A County In China Sees Its Fortunes In Tea Leaves Until a Bubble Bursts"". New York Times. http://www.nytimes.com/2009/01/17/world/asia/17tea.html?scp=1&sq=pu'er&st=cse. Retrieved May 22, 2010. 
  38. ^ 户崎哲彦, 2001,"钴鉧"不是熨斗而是釜锅之属--柳宗元的文学成就与西南少数民族的语言文化, 柳州师专学报 (On "Gumu" Not Being an Iron but a Category of Cauldron or Pot)

 

 

 

 

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puer

普洱

百科名片

普洱,城市名,即普洱市。位于中国云南省西南部,辖1区9县,全区面积44221.34平方公里。此外,普洱也是一个已撤销的县名,即原普洱哈尼族彝族自治县。2007年更名为宁洱哈尼族彝族自治县。另外,普洱亦为一种茶叶名,即普洱茶。普洱茶是云南特有的地方名茶,是以云南原产地的大叶种晒青茶及其再加工而成的。

目录[隐藏]

1、普洱市
2、原普洱县
3、普洱茶
  1. 【基本信息】
  2. 【分类】
  3. 【优质普洱茶特征】


  

1、普洱市

  普洱市位于云南省西南部。2007年4月8日,思茅市改名普洱市。   普洱市辖1个市辖区、9个自治县。分别是思茅区、宁洱哈尼族彝族自治县、墨江哈尼族自治县、景东彝族自治县、景谷傣族彝族自治县、镇沅彝族哈尼族拉祜族自治县、江城哈尼族彝族自治县、孟连傣族拉祜族佤族自治县、澜沧拉祜族自治县、西盟佤族自治县,市人民政府驻思茅区月光路。   普洱市位于云南省西南部,总面积44221.34平方千米。总人口237万。市人民政府驻思茅区月光路,距离省会昆明市570千米。邮编:665000。行政区划代码:532700。区号:0879。   普洱市曾是“茶马古道”上的重要的驿站。由于受亚热带季风气候的影响,这里大部分地区常年无霜,是著名的普洱茶的重要产地之一,也是中国最大的产茶区之一。   普洱市境内群山起伏,全区山地面积占98.3%。由于地处北回归线附近,因此受地形、海拔影响,垂直气候特点明显,海拔高度在376米至3306米之间。与北美洲的古巴和中国的台湾省同处一个纬度。   普洱市位于云南省西南部,辖1区9县,全区面积44221.34平方公里,是云南省面积最大的一个地区。东南与老挝、越南接壤,西南与缅甸比邻,国境线长达625公里,是祖国重要的西南门户,仅陆上边境通道就有18个,澜沧江、红河、南亢河三条水道直通境外,是著名的南方丝绸之路之一。   普洱市总人口数为237万,其中少数民族人口达144万,占61%。全区少数民族有36个,世代居住在这里的有14个。主要有哈尼族、彝族、傣族、拉祜族、佤族、布朗族、瑶族等。民族风情迥异多彩。   详情请查看百度百科普洱市词条。

2、原普洱县

  原普洱哈尼族彝族自治县,位于云南省,自2007年4月8日起,普洱哈尼族彝族自治县更名为宁洱哈尼族彝族自治县。   宁洱哈尼族彝族自治县是驰名中外的“普洱茶”的故乡,是“普洱茶”的原产地和集散地。著名电影演员杨丽坤、全国英模张培英出生在宁洱哈尼族彝族自治县磨黑镇。滇南第一碑——“民族团结誓词碑”立于普洱,为滇南民族团结的鉴证物。这里古有“天壁晓霞”、“回龙夕照”、“仙洞春云”、“龙潭秋月”、“东岭兰萼”、“西岭温泉”、“城畔荷风”、“茶庵鸟道”所构建的“普阳八景”;激起了无数文人骚客的文思诗趣。更重要的是:特殊地理环境,适合多种经济作物的生长。今有省级风景名胜区——普洱风景名胜区(景区由天壁山、松山、白草地3个片区和小黑江、热水潭、东洱河水库、观音山寺、茶马古道等20个景点组成)、磨黑中学省级爱国主义教育基地、民族团结园,初步形成了融绿色森林、山川、河谷、喀斯特洞穴景观和“普洱茶文化”、哈尼族彝族民俗风情为一体的民族文化生态旅游资源,极具开发前景。   主要旅游景点:哀劳山 澜沧江 迁糯佛寺 千家寨   详情请查看百度百科宁洱哈尼族彝族自治县词条。

3、普洱茶

【基本信息】

  拉丁名: Camellia sinensis var.assamica (Mast.) Kitamura   中文名: 普洱茶(野茶树)   拉丁科名: Theaceae   中文科名: 山茶科   英文科名:Puer tea   主要产自云南勐海、勐腊、思茅、耿马、沧源、双江、临沧、元江景东、大理、屏边,河口、马关、麻栗坡、文山、西畴、广南,其次是贵州盘县、榕江,广西扶绥、昭平,福建南靖,广东乳源、连山、茂名及海南昌江、琼中、乐东、保亭、陵水等地。生于海拔1 200-1 400米亚热带、热带山地森林中。越南北部、泰国、缅甸、印度也有分布   澜沧江流域是云南大叶种茶的发源与兴盛之地,这里有中国首次发现,并证明中国是世界茶树发源地的“勐海南糯山800年栽培型茶树”,以及勐海巴达1700年野生古茶树。澜沧江到了西双版纳,江面骤宽,如巨龙穿行在神秘的热带雨林中,“九龙江”是西双版纳过去对这条大江的美称。九龙江两岸,西双版纳十二大古茶山,在山间马帮的铃声中创造了不少普洱茶的奇迹。   现在的十二大古茶山,明确地是:   江北六大茶山,“攸乐山”茶山、革登茶山、倚邦茶山、莽枝茶山、易武(慢撒)茶山。   江南六大茶山,南糯山茶山、佛海(勐海)茶山、勐海勐宋茶山、布朗山茶山、巴达茶山、景洪勐宋茶山。

【分类】

  一、以树种分类   乔木   灌木   二、依制法分类   生茶   熟茶   三、按存放方式分类   1.干仓普洱茶:指存放于通风的仓库,使茶叶自然发酵,陈化放10-20年为佳。   2.湿仓普洱茶:通常放置于湿气较浓的地方,如地下室地窖,加快其发酵速度。较有陈泥或霉味,陈化速度较干仓普洱快。放5-10年佳。普洱茶依树种分类   1.乔木:主要采乔木树叶作茶菁,叶片较大,古称大树茶。   2.灌木:主要采灌木树叶作茶菁,叶片较小,也就是一般看到的矮茶树种,现称小树叶茶。   依外形分类介绍   普洱茶依照它不同的外形,还可以细分成以下几种———   1.饼茶:蒸压成扁平圆盘状,有点像派或比萨那样。古六大茶山多以357g(就是老重量单位:七两)压成一饼,七饼一包,喻为七七四十九为多子、多孙、多福。   2.沱茶:形状跟饭碗一般大小。普洱茶的中级、上级品大都以沱茶及饼茶居多。   3.砖茶:蒸压成形状像砖块一样的长方形紧压茶,大部分的砖茶都销往西藏及蒙古等地,制成这种形状主要是为了便于运送。普洱茶依制法分类   1.生茶:采摘后以自然方式发酵,茶性较刺激,宜放多年后熟,茶性会转温和,好的老普洱通常是采用此种制法。   2.熟茶:1973年后则以科学加上人为发酵法使茶性温和,让茶水达到软水好喝。   普洱茶的冲泡艺术及品饮   普洱茶在众多的茶类中,除了它的品质外,还以其饮法独特、功效奇妙而著称。普洱茶多以泡饮为主要方法;煮饮普洱茶,则是为了充分利用泡后的残茶再进行煮饮,并辅之以调料(葱、姜、盐、糖等)。   一、洗茶、泡茶:   1、先用沸水烫热茶具,放入茶叶;水沸后关火,沸水醒茶(使茶叶渐渐展开)、洗茶(除了可以唤醒茶叶的味道之外,它同时还具有将茶叶中的杂质一并洗净的重要任务。)   2、沸水洗茶。第一次冲泡速度要快,冲入的沸水马上就倒出,因为它只要能将茶叶洗净即可,不须将它的味道浸泡出来,然后用此洗茶的沸水来烫杯,之后倒掉不要。一般生普洱茶洗1次,熟普洱茶洗2次。   3、头道。倒沸水冲泡3-5秒钟,出茶汤倒入公道杯中,滤网放到公道杯上,过滤碎茶,让汤色清亮。然后就可以倒入各个小瓷碗,温了就可以喝了。   4、2-4道茶,每泡5-15秒钟,然后三泡茶都不需加温,因为茶叶渐渐开展。时间泡长汤色太浓不好看,味也不好喝,当然浓淡的选择就可依照人喜好来决定。   5、5-N道茶,每增加一泡即增加5-10秒钟,以此类推,泡至无味为止。   二、关键点:   1、冲泡普洱时茶叶份量大约占壶身1/5,最好将茶饼、茶砖、茶沱拨开后,暴露   空气两周,再冲泡味道更棒!   2、一定要用沸水洗茶和冲泡。   3、每次泡好要倒入公道杯里慢慢喝,不能泡在壶里太长时间,否则焖熟茶叶不好。   4、每泡间隔10-20秒,降温等到第四泡再加温,而后再三泡以上。老茶则可以每   二泡加温但间隔要更久。   5、另外,也可以一起泡几道,茶汤并在一起喝,普洱茶即使变冷以后还是风味十   足,所以夏天的时候可以弄得冷一些或者是冰过以后再喝。   三、定点冲泡法(茶艺)(考究点)分为10个步骤:   1、“孔雀开屏”,即向客人展示茶具;   2、“温壶涤器”,即以沸水冲洗茶具;   3、“普洱入宫”,即撮茶入碗,投茶量为茶碗之1/4;   4、“游龙戏水”,即以铜壶之沸水呈45度角快速冲入盖碗,令茶随水流翻滚而洗   涤,充分释放其真味;   5、“淋壶增温”,即以碗中茶汤淋洗公道壶;   6、“祥龙行雨”,即以铜壶之沸水由低至高冲入盖碗;   7、“出汤入壶”,即将碗中茶汤拂去浮沫后倒入公道壶(第1-3泡,5-10   秒钟,每增加一泡即增加5-10秒钟,);   8、“凤凰点水”,即将茶汤以“凤凰三点头”之势倒入公道壶中;   9、“普降甘霖”,即将壶中茶汤均匀地依次倒入品茗杯(碗)中(以七分满为度);   10、“齐眉敬奉”,即将品茗杯(碗)呈园状放置于托盘中,然后举杯齐眉一一奉敬。   四、茶具。   1、壶:宜选腹大的壶,因为普洱茶的浓度高,用腹大的壶可避免茶汤过浓。建议材质宜选陶壶、紫沙壶。   2、杯或碗:试茶一般也以瓷盖碗为佳,闻其香气。但在饮用如普洱毫峰之类嫩度高的名茶时,则应选透明玻璃杯,这样,冲泡时芽尖矛顶水面而后徐徐下沉,如雨后春笋,芽影水光相映交辉。品饮名优茶,还必须讲究。   3、另外,不宜用保温杯冲泡普洱生茶,那样会闷熟茶叶,影响你品饮生茶的特有风味。为了上班时方便泡茶,也可以用飘逸杯泡茶,因为杯中就有过滤网了,下面那层如公道杯一样。

【优质普洱茶特征】

  散状的普洱熟茶,常采用单级的定级方法,依次为:宫廷、特级、一级、三级、五级、七级、九级。   一般而言,优质普洱茶在七个方面都有突出的特征,即:质、形、色、香、味、气、韵七品俱佳。   判断普洱茶的七个指标之一:质   质即原料好,这是任何优质茶的第一基本要素,第一物质基础;没有这一点,普洱茶的其他美德就无从谈起。各产地由于气候、土壤、植被等不同,又各有特色,例如西双版纳的易武、临沧双江勐库、思茅澜沧的景迈山等所产的茶,应该都是普洱茶中之极品,但各自的特点却很鲜明。   “质”的标准包含以下几个范畴:   1. 产区:优质普洱茶的原料首先必须是云南大叶种,最主要的传统普洱茶产区为云南的临沧市、普洱市、西双版纳州,其他如德宏、保山也有一些可圈可点的好茶。这三个大产区的茶各有特点个性,喜欢哪一种全凭个人爱好。   2. 时序:以采摘时间为依据。春茶、夏茶、秋茶(茶农们又称秋茶为谷花茶)。三种茶中,台地茶以春茶为上,秋茶次之;而老树茶春茶、秋茶各有千秋春茶韵胜,秋茶以气足。不管什么茶树,夏茶最次。   另一对重要的概念就是老茶与新茶的问题;在漫漫岁月的流逝中,普洱茶越陈越香的品质、茶品丰富多彩的变化,加之饮茶人面对时间长河的心理感动,使得品饮老茶成为难得的享受。一般而言,老茶又分古茶、号级茶、印级茶等,时间上比较通行的分法是:古茶100年左右,如当年清宫贡茶遗留;号级茶为50、60年以上(各老茶号生产的时间长短不一),但都于1949年前后统统烟消云散;印级茶以1952年佛海茶厂恢复生产以来的各色茶品。这种分法有一定道理,但由于这些茶除了古茶之外,其他大都在储藏过程中基本上都有入仓处理的历史,其地点又基本集中在亚热带高温高湿地区的港台范围,所以对以后全国甚至全世界范围内普洱茶存放成老茶的口感风格没有太大的参考价值。所以真正未来的老茶是什么,存在不同的地方肯定有不同的风格,但“越陈越香”的基本品质是不会变的,具体各地的怎样,有待于天南海北的爱茶者自己的实践来验证——北京一位茶友有句很好的话:好茶从自己存起。   对于新茶,有些观点认为,生普要存放10年左右才能喝,熟茶要一、二年后才行。这种说法也有一定的片面性,生普存放10年,要达到的效果就是在汤色滋味上以熟普为标准,潜意识里仍然是认为熟茶才是普洱茶的偏见;事实上,品饮生普、熟普的最大区别,就是熟茶养怡健,生茶精气神。当然二者不是泾渭分明,非此即彼的。对于日常生活来说,喝熟普对醒酒、养胃护胃、降脂减肥、调理三高作用十分明显,生普除了兼备熟普功能外,更能给人心理上的美感享受。但是,作为新茶的生普熟普,并非要十年八年和一、二年后才能喝。普洱茶的关键是原料基础,原料好的生普,当时做好刚从石磨上取下,有何不能喝呢?有何不好喝呢?并且浓浓的山野阳光味沁人心脾;存放一年后,有了变化;再有一年,又有进一步变化,如此下去,年年新境界,岁岁出新效,真是一件美好的享受。因此,家庭存茶(鉴于我国计划生育的实际),如果以一家七口人算,每年的同一批次的茶每人开汤一饼,时间以50年计,每年最适合收藏大件一件(84饼),小件2件(每件42饼),这样,除了自己够喝之外,还留下小部分与茶友交流,又在50年间享尽好茶的岁月风流。另外,刚压制好的熟茶不同程度的有点新味,但质量好的,经过二、三个月后口感就很不错了,如发酵技术精湛的邹炳良、戎加升等做的熟茶,才出厂三两个月,却经常让品饮者以为是两三年的茶了。   另外,关于故宫古普洱茶的问题,邓时海先生在《普洱茶》(台湾壶中天地版)一书中的《茶谱》篇第83页说:1963年北京故宫处理清宫贡茶,总共留下有2吨多,其中有一些是普洱茶,这些普洱茶大者像金瓜,小者像乒乓球,最大的五斤半(3300公克)左右。这一批普洱茶保存良好,未曾霉变。曾经取了一些试泡,而评语是“汤有色,但茶味陈化、淡薄”。   邓先生这段话引用的是中华茶人联谊会常务理事兼秘书长王郁风先生1993发表在《农业考古》杂志上的文章《普洱茶与清皇朝——兼议弘扬普洱茶文化》   邓先生这里有两点没讲明:   (1) 王郁风先生当时所品的是六安或黑茶,并非普洱茶;这会误导茶友,推断普洱茶存放到故宫古茶的年龄时是什么感觉。而且重量换算也不对,跟《普洱茶记》、《普洱府志》记载相左。   (2) 邓先生没有指出文章引自王郁风先生之作,单单看邓文,读者会以为品“太上皇级”的故宫普洱茶者是邓先生本人,而且在1963年,考虑到当时海峡两岸局势,可不是一般事件。   北京故宫遗存普洱茶见闻:20世纪60年代初,北京故宫茶库里还存放着清宫没有吃完用完的贡茶数吨,其中有普洱茶、女儿茶、茶膏。1963年故宫处理清宫贡茶2吨多,1963年l0月23日,一次偶然机会,我在北京茶厂见到这批陈年贡茶实物。普饵团茶大者如西瓜(略扁),小的如网球、乒乓球状,茶色褐黑,不霉不坏,保存完好;茶团表面有拧紧布纹的印痕,可见当时制茶是用布包着揉紧,干燥成型的。我曾选了一个大的普洱团茶用磅秤称了一下,重量为市秤5斤半,当是清代5斤重的团茶(清代老秤一斤合596.62克)。这种团茶形状似人头,对照清代赵学敏《本草纲目拾遗》:普洱茶有“人头式,名人头茶。每年入贡,民间不易得也”的记载相符合。   故宫这批贡茶,同时处理的还见有类似现代的白毫银针茶(全是白毛长芽头)、烘青茶(当是六安茶)、长方形的黑砖茶(较今茶砖为薄)等。我曾取回少量样品试泡,汤有色,但茶味陈化、淡薄。   20世纪60年代初期,茶叶减产,内销市场供应不足。这批故宫普洱团茶,打碎筛细,拼入散茶卖掉了。我于1992年11月13日在全国政协礼堂偶遇故宫老专家单士元先生,曾询问故宫贡茶事,据告普洱团茶、茶膏等仍留有样品,故宫茶库遗存的普洱贡茶,不知是清朝哪位皇帝在位时遗留下来的,推测至迟当是慈禧太后和光绪皇帝们吃剩的历史贡茶实物,是极为珍贵的文化遗存,自应保存下去,当作一般茶叶处理掉,令人十分痛惜。   3、树品:有野生型、过渡型、栽培型之分;又有老树茶(或古树茶,茶农一般叫大树茶),台地茶(茶园茶)、丢荒茶(荒山茶、野放茶)之别。另外,还有一些产生变异的或稀有的树品,如紫芽茶、藤子茶等。   备注:①市面上偶尔会出现一些非茶类、但样子非常像茶的怪品,以“物以稀为贵”高价而沽。好在这种怪品对健康虽然无益,但也无害。②乔木茶的问题。很多茶友通常将乔木茶和台地茶作为相对立的概念,事实上,乔木应该与灌木相对应。并且,云南大叶种都是乔木茶,即使它的形态是台地的。台地是茶园倚山坡而建,为了采摘方便,每年冬季进行修剪,不使茶树长高;也就是说,如果不修剪,它就会不断往上长至十几米甚至几十米,并且会出现乔木茶的主要特点:有主干,有侧枝;如果是真正的灌木茶,长多少年也是灌木一丛,例如杭州西湖老龙井寺旁乾隆御封的十八棵茶树,几百年了,还是不到两米高。另外,还有一种情况,虽然是台地茶,但是已经是几十年的老茶园,加工制成的茶品也颇有老树茶的风格。   4. 工艺:对工艺范畴的区分第一步就是生茶或熟茶的区别,这是很简单就能识别的。第二步是区别是否撒面、做面,撒面就是为了美观,把条索色泽较好的放在面上,而里面是一些较次的茶。以里外一致的,不做面的为上。第三步:是否拼配。即用不同产地、同一品质或同一产地、不同级别的茶菁进行混合加工。拼配好不好不能一概而论,例如,有的地方的茶滋味好茶气不够足,用临沧茶进行拼配,就能实现口感淳和有茶气厚足的效果,这种拼配实际上是一种很好的创造,近年来一些在各种展览会获奖的茶品,尤其是熟茶,大多是经过高明的拼配而达到卓越的品质。但另一种是不良商人把质次价低的原料与部分质好价高的进行拼配,最后以好原料生产的市价出售,现在市面上好多打某某古茶山的大批量生产的茶,以这种拼配较多。   5. 储存:储存本不属于“质”的范畴,但由于普洱茶传播历史特殊,便有干仓、湿仓的区别。而湿仓茶,在品质上已经很大程度上改变了普洱茶的真性,一言以蔽之,湿仓茶在口感方面见长而缺少精气神,而且还要是好的湿仓茶,退仓处理还要做得好的。所以综合考虑,干仓为上,湿仓可以聊备一格,不能成为普洱茶的主流走向;从未来看,可以预见,湿仓普洱茶将退出历史舞台,干仓湿仓这一组名词将会成为过去——因为,有不自然的“湿仓”,才出现本真自然的、原来本不必强调的“干仓”。   另外,普洱茶保存在何处最好,这也是一个不可能有定论的问题。根据笔者的经验,要追求口感汤色的迅速变化,存在高温高湿的地方较好;但是相对来说,变化太快的香气韵味就稍逊一筹;存在四季分明的地方,变化稍慢,但气足韵厚;基本的条件,只要无异味,自然湿度不至于使茶霉坏;稍透气,不要太通风,通风太强有损茶性;满足这些基本条件则可。但是到底是追求口感汤色的变化快,还是牺牲一点速度追求气韵,这是很难完全统一的事,鱼和熊掌不可兼得,看您自己认为何为熊掌何为鱼了。   生普洱与熟普洱也应该分开保存,不然熟普洱会染上生普洱的酸味。在品尝前1个月应该把茶饼敲碎,让仓味挥发,敲碎的普洱茶适合放在瓷瓶中保存,瓶口封一层吸水透气纸就可以。   判断普洱茶的七个指标 之二:形   形即茶叶的条形,条形是否完整,是否紧结和清晰。叶老或嫩,老叶较大,嫩叶较细;看干茶色泽和净度,无异、杂味,色泽棕褐或褐红(猪肝色),具油润光泽,褐中泛红(俗称红熟),条索肥壮,断碎茶少;质次的则稍有陈香或只有陈气,甚至带酸馊味或其他杂味,条索细紧不完整,色泽黑褐、枯暗无光泽。生普的外形匀称、条索紧结、色泽呈青棕或棕褐、油光润泽,用手轻敲茶饼,声音清脆利索。熟普的外形匀称、条索紧结、清晰,色泽褐红、油光润泽。   以上只是一般的情况,但对普洱茶的外形鉴别,长期接触普洱茶的,另有一种审美习惯。对于其他茶类,追求越新越嫩越细就越好;譬如龙井、毛峰瓜片等,然而在普洱茶面前,似乎应该“重神轻形”,因为普洱茶以云南大叶种为原料基础,叶形新、嫩、细者,茶气并不很足,尤其是老树茶,粗老壮硕、黝黑朴素与秀润可人并不矛盾,也就是骆少君女士说的:普洱茶为扭转时尚对中国茶叶一味追求嫩、细的不良倾向是一个很好的引导,普洱茶大智若愚,气定如山。事实上,在品饮实践中,细嫩精致的宫廷级固然不错,但四五六级、甚至混有茶梗者别有风味;另外,尤其是一些手工作坊,由于每一道工序都是人工所为,跟工业化标准化的就不一样。这些石磨压制的茶饼,也许不够圆整,厚薄不够均匀,甚至有些歪斜,但别有一番传统工艺的人文美感在里面,很富有收藏价值。   判断普洱茶的七个指标 之三:色   色 主要看汤色的深浅、明亮,优质的普洱熟茶,泡出的茶汤红浓明亮,具“金圈”,汤上面看起来有油珠形的膜,优质的普洱茶熟普叶底呈现褐红色。质次的,茶汤红而不浓,浓而不透,欠明亮,往往还会有尘埃状物质悬浮其中,有的甚至发黑、发乌,俗称“酱油汤”。优质的生普,色泽橙黄、清亮透明,仿佛被一层油膜包裹,久泡其色不变。   普洱茶的迷人之处,很大程度上是汤色上的赏心悦目,思茅朱飞云先生用“融化的玛瑙”来形容普洱茶汤,以宝石红、玛瑙红、琥珀色等作为以汤色区分普洱茶品高下的简单方法,富有诗意而实用。   总而言之,以色别鉴茶,干茶须以自然油润为上,汤色以通透明亮为佳。   判断普洱茶的七个指标 之四:香   香 普洱茶香气是决定茶叶品质的重要因子之一。所谓茶香实际是不同芳香物质以不同浓度组合,并对嗅觉神经综合作用所形成的茶叶特有的香型。茶叶芳香物质是由性质不同、含量微少且差异悬殊的众多挥发物质组成的混合物。迄今为止,已分离鉴定的茶叶芳香物质约有700多种,有的是各自分别独具的,有的是在鲜叶生长过程中合成的,有的则是在茶叶加工过程中形成的。普洱茶的香气成份到底具体有哪些还没有被完全检测出来,对普洱茶香气的鉴别,在品饮过程中主要采取热嗅和冷嗅的方法。优质的云南普洱散茶的干茶陈香显露,优质的热嗅香气显著浓郁,且纯正,冷嗅香气悠长,有一种很甜爽的味道。质次的则香气低,有的夹杂酸、馊味、铁锈水味或其他杂味,也有的是“臭霉味”、“腐败味”。闻香鉴别普洱茶,在整个冲泡过程中随时可以进行,但普洱茶的香气变化复杂,很不容易用语言准确表达,当然不同的闻香方法有不同的效果,有空杯热闻香、哈气闻香、开饼刀痕处闻香、杯盖闻香、杯底闻香等;还有冷香、温香、热香、前香、后香、暗香、沉香、明香等等区别。无论如何,普洱茶的香气重在自然,浓而不腻,清而不扬,重而不闷等。茶人们用米香、花香、果香、蜜香、草香、枣香、兰香、樟香、荷香等不得已的比喻来相容普洱茶的不同香气,这表明普洱茶香气的复杂丰富,而且这些变化万千的香气来自普洱茶原料本身和后期在不同的时间、不同的温度、湿度内部元素变化的结果。但是值得注意的是,一些文章说普洱茶之所以有樟香是因为茶树与樟树间植,这是一种主观臆测的说法。按此观点来说,普洱茶荷香难道是茶树与荷花间植的结果?   判断普洱茶的七个指标 之五:味   味是对普洱茶感知理解的最重要的第一步,是普洱茶品鉴的“初级职称”。“味”之特点,也是普洱茶在品饮中与其他茶类有着显著区别的特征。在品饮实践中,普洱茶的“味”有两个层面的含义:一是舌面口腔的生理活动、生理体验感觉,另一层是以此为基础的含有很大程度的审美性趣味,成了“体味”、“玩味”、“品味”等意蕴,使人感受到不同味道的普洱茶和与之相应的不同味道,同时具有使人得到精神愉悦。我们经常说道“回甜”与“回甘”,就是这两层感觉得混合;但是普洱茶以回甘为上,回甘的一定回甜,但回甜的不一定有回甘感。也就是说,回甘的普洱茶在“甜”外,还有一些对人的味觉有益的其他成份,古人品尝美食说的“兼味”、“味外味”就是此意;更具有对味的体验主要是从滑口感、回甘感和润喉感来感觉。优质的滋味浓醇、滑口、润喉、回甘,舌根生津。清爽滑润,醇和、甘甜、生津而千变万化。总之,就熟茶而论,好的普洱茶在“味”是大同小异的优秀,既回甜又回甘;反之,质量差的普洱茶则各有各的差劲处,不同程度的有苦、馊、酸、涩、麻、挂等特点,这有点像托尔斯泰说的:幸福的家庭都相似,不幸的家庭各有各的不幸。   判断普洱茶的七个指标 之六:气   气是品鉴玩味普洱茶的一个核心概念,也是普洱茶使人流连忘返、让人有依赖性的基础。普洱茶之深,很大程度上是深在一个”气“字上。   气原是一个哲学概念,指构成天地万物初,始的最基本的物质。气论贯串着中国传统艺术和人物品藻的始终。普洱茶品饮的较为抽象的范畴,却也是普洱茶上品下品之分的一个重要指标。我们常说,普洱茶是有生命的,品饮普洱茶是一门艺术,这在很大程度上是针对普洱茶的“气”而言。天地宇宙之间,凡有生命都必有“气”;凡中国传统艺术,举凡绘画、书法、音乐、建筑,甚至诗词歌赋,无不讲究个“气”字。亚圣孟子“我善养吾浩然之气”是说人的修养境界,三国魏文帝曹丕“文与气为主”是谈艺,傅抱石题青城山古松国画“元气淋漓,真宰上诉”是说物。又譬如我们生活中,书法作品到处可见,高手所作,笔墨点画的后面,我们总是感觉到有一股充沛元气,使之看上去不死板呆滞。又例如我们在日常生活中,有的人虽然貌不惊人,但眉宇之间能感到对方或城府深沉、或正直大度、或修养深厚等,就是内在的生命力通过表面的形式表达出来。只是这种表达不是直接简单的而已。普洱茶之气,就是以优质原料的基础,所谓的“得天地之精、日月之华”、“百草之首、万木之花”的好茶,再经过人的用心加工,得天、地、人之灵,生普洱茶厚、正、足之气。   当然,普洱茶神奇但不神秘。所谓茶气,就是茶之所以为茶的物质基础在品鉴时候在人的感官和精神上的综合经验,我们形容茶气,往往用“茶气足不足”、“茶气正不正”、“茶气厚不厚”等词语形容,从物质基础来看,主要是茶多酚、咖啡因含量足不足;而茶多酚,就是茶之所以为茶的物质基础,普洱茶的原料必须要用云南大叶种,就是因为茶多酚含量比国内国外其他任何茶区茶种的含量高,生茶在悠悠岁月的陈化中茶多酚的含量会逐渐降低,茶多酚的含量也大幅度的减少,如果作为原料的晒青毛茶茶多酚含量低,就形成了茶品的先天不足,随着时间的流逝,我们会说某一款茶“茶味淡薄”,也就是茶气不足。在普洱茶主产区之一的临沧茶,茶多酚含量最高,也就是说,该茶区的原料制成的普洱茶,先天条件就很好,这是普洱茶在品饮中气足韵厚的保证,也是收藏普洱茶在日后越陈越香但决不会汤清水薄的保证。最简单的例子,刚制成的新茶中,以黄片(又称黄叶)压制的青饼,口感就很甜润,但即便在昆明存上三、四年后,茶气就淡薄了,所以收藏价值就不高。黄片就是在茶叶发后采摘不及时的那部分,也是阮福在《普洱茶记》里说的“将揉时预择其内劲而不卷者,名金玉天”者(一些版本为“金月天”)。黄片茶多酚含量很低,加工时茶农一般要剔拣开来,类似于我们洗菜时丢掉的老坏的菜叶部分——也就是石昆牧在《经典普洱》一书第45页说的“分明是茶园茶的粗枝老叶,却被无良厂商冒充大叶乔木以欺骗消费者”的那种茶。只是黄片饼不止是茶园茶有,老树茶也有;并且,以此欺骗消费者的厂家不多,倒是商家居多。   但是,我们普普通通喝茶,没必要判别什么茶多酚、咖啡因等,有一个简单的感官评价——八字真言:“苦不叮嘴,涩不挂舌”。刚刚入口时有一点苦,当马上回甘;有一点涩,但马上化开,生津出韵——口腔里感觉风生水起但层次分明,变化丰富却自然流畅如行云流水。这也许是为什么舞蹈家杨丽萍说:普洱茶是味觉的音乐。   品鉴茶气主要从三个方面:足、厚、正。原料好如临沧茶,自然气足;加工工艺精当,使茶多酚的好处与氨基酸等其他元素和谐发挥,则如各种不同的乐器以茶多酚、咖啡因为领唱者的合唱,自然茶气显厚;茶叶采摘得时,不乱加拼配,有品饮经验的人一杯入口,则临沧茶是临沧茶、思茅茶是思茅茶、版纳茶是版纳茶,风格明显,个性突出,这就是所谓的茶气正。   以上所言,只是茶气的”外气“,更为迷人之处在于”内气“,内气者,不是以口鼻欣赏,而是以身体感知。这一点,练气功者、中医、出家人和不嗜荤腥的最容易感受,普洱茶气归肺经脾经,品饮时,丹田手足微微生热发汗,甚至有如练气功时得气的感觉;某种程度上,普洱茶真正迷人之处,在于内气;而内气,由于每个人的身体条件不同,感受的程度也不尽一样,但对内气的深入探讨,似乎从中医理论更能解释清楚。   同时,茶若无气,韵就成了空中楼阁。   知茶气者,可谓对普洱茶已经登堂入室了。   判断普洱茶的七个指标 之七:韵   韵 是普洱茶品鉴中较“气”更难加以形象地说明的主观感受,可以先打个比方,唱歌时虽然旋律、音高、节奏准确,但无动听感,就称为“有声无韵”;在评价人物时,一个美女即便是身高、三围、五官都很好,但死板呆滞无灵气无教养,就缺少“韵”,也难给人美感。这一点甚至让李笠翁为难,在《笠翁秘书?声容部?选姿第一?态度篇》里,他说美女要让人迷恋,重要的不是身材皮肤五官,而是“媚态”,媚态又是无形之物,非有形之物,能“使美者愈美,艳者愈艳”。   按照他的选美标准就是姿态第一,“选貌选姿,总不如选态第一重要”。但是说了半天,“媚态”到底是什么,他也只能打个比方说:“媚态之在人身,犹火之有焰,灯之有光,珠贝金银之有宝色”。普洱茶的韵很难界定,但在品饮实践中的最直观体验就是“生津”,各种不同的上品之茶,有的生津在舌尖,有的在舌面,最佳者连喉部都生津,所谓的喉韵就是指这一点。饮茶生津,有如听音乐的“余音绕梁”,看好风景的“山色有无”,与德高学深的长者相处的“如沐春风”之感。当然,生津不能完全概括普洱茶“韵”的感觉。老茶之韵与新茶之韵不同,新茶之韵较直接,老茶则显含蓄——当然,有些品饮者把“湿仓味”当成普洱茶的韵,其实是把缺点当成了特点甚至优点了。   古人说:“如鱼饮水,冷暖自知”,毛主席说“要知道梨子的滋味,就得亲自尝一尝”,品饮普洱茶并不神秘,并不需要先天有什么神授鬼教,只要不断的实践、比较,尤其是跟茶友多交流,慢慢就自然而然领略普洱茶的好处。重要的是,刚开始的时候,不要选择错了茶,把质次品低的茶品先入为主,作为以后品鉴的标准,好比戴了有色眼镜,要体会普洱茶的大千世界、丰富多彩就绕弯路了。这也是现在一些茶友,把湿仓老茶作为存储良好的将来老茶的标准,是自折好茶身价的。   品鉴普洱:要让普洱茶能喝了健康,以慢喝最为适宜。如太急促或匆匆忙忙的喝,紧张的心绪,无法使茶气安然的在体内发挥功效。正如气功功法中最讲究的是“以意行气”匆忙之行为,必然心神不稳定,思想不能集中,无法以意行气。即使茶气在经络中起作用,但意识涣散,也无法将茶气纳入经络之中而运行。   如要品出普洱茶气,以陈化的好普洱茶最为适宜。普洱茶所以能将茶气冲泡出来,其茶品必须经过长期陈化及发酵,一般以三四十年以上的陈老普洱茶品,才能冲泡出较强烈茶气来。同时,茶品的质地也是非常重要的,最好是来自云南省内高海拔大茶山中的大叶种老茶树。
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2010-06-30 11:42:14 |  浏览 (1385) | 
品茶

看破了世间红尘

高高兴兴品茶去

 

 

只需水融化它

  只需静静的去品味

       只需用心 方可醉人入梦

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2010-06-29 10:02:07 |  浏览 (1191) | 
大益普洱茶真值得我们追捧?

     最近看到“丰田”车的质量处境,茶人看到了dayi普洱茶的现状。一个以质量取胜的企业,如今似乎越来越向资本运作靠齐,一个以吃历史饭长大的品牌,似乎已经遗忘自己是谁?

04年以前的熟茶,让很多茶友感受到了熟茶的韵味。05年以后我们感觉到的只是价格的上行,杂七杂八的包装更新,名字取得基本让汉语字典干枯。过去经典的熟茶可能已经是传说了!

熟茶的经典拼配,陈旧的老茶料也已经踪影难找;晒青茶(原材料)的把握也是混杂到无法追根的境地,我们真想看看生茶最后是什么样子?

也不是笔者带有什么色彩,只是给它一些良言。过度的扩张和追求数量,只会让自己离消费者越来越远……

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2010-06-22 16:22:51 |  浏览 (1084) | 
向天再借五百年(音乐)


向天再借五百年
沿着江山起起伏伏温柔的曲线
放马爱的中原爱的北国和江南
面对冰刀雪剑风雨多情的陪伴
珍惜苍天赐给我的金色的华年
做人一地肝胆 做人何惧艰险
豪情不变年复一年
做人有苦有甜 善恶分开两边
都为梦中的明天
看铁蹄铮铮 踏遍万里河山
我站在风口浪尖紧握住日月旋转
愿烟火人间安得太平美满
我真的还想再活五百年
做人一地肝胆 做人何惧艰险
豪情不变年复一年
做人有苦有甜 善恶分开两边
都为梦中的明天
看铁蹄铮铮 踏遍万里河山
我站在风口浪尖紧握住日月旋转
愿烟火人间安得太平美满
我真的还想再活五百年
我真的还想再活五百年

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2010-06-17 12:13:58 |  浏览 (1626) | 
云南普洱茶叶协会(地理商标)
云南普洱茶叶协会(地理商标)

 

  2016494 云南普洱茶叶协会 (1)云南省临沧地区凤庆县的凤山镇、洛党镇、大寺乡、小湾镇、永新乡、鲁史镇、新华乡、诗礼乡、营盘镇、勐佑镇、德思里乡、三岔河镇、郭大寨乡、雪山镇、腰街乡;云县的爱华镇、漫湾镇、后箐乡、涌宝乡、大朝山、茶房乡、头道水、茂兰乡、忙怀乡、栗树乡、糯洒乡、大寨乡、晓街乡、幸福乡;临沧县的蚂蚁堆乡、章驮乡、南美乡、忙畔乡、凤翔镇、博尚镇、那招乡、圈内乡、帮东乡、马台乡、平村乡;镇康县的凤尾镇、忙丙乡、勐捧镇、勐堆乡、南伞镇、军弄乡、木厂乡、军赛乡;双江县的大文乡、忙糯乡、勐库镇、贺六乡、勐勐镇、沙河乡、邦丙乡;耿马县的勐永镇、大兴乡、勐撒镇、芒洪乡、四排山乡、耿马镇、贺派乡、勐简乡、福荣乡;沧源县的岩帅镇、团结乡、单甲乡、糯良乡、勐菜乡、勐角乡、班洪乡、南腊乡、班老乡、勐董镇;永德县的德党镇、永康镇、小勐统镇、明朗乡、勐汞乡、勐板乡、大雪山乡、乌木龙乡、亚练乡、班卡乡、大山乡、崇岗乡。(2)云南省思茅地区普洱县的宁洱镇、凤阳乡、同心乡、勐先乡、普义乡、黎明乡、德安乡、磨黑镇、把边乡、德化乡、梅子乡;澜沧县的惠民乡、富邦乡、竹塘乡、木戛乡、雪林乡、安康乡、文东乡、富东乡、上允乡、东河乡、谦六乡、大山乡、新城乡、南岭乡、东朗乡、勐朗镇、酒井乡、发展河乡、谦迈乡、糯扎渡镇、东回乡、拉巴乡、糯福乡;景谷县的钟山乡、凤山乡、景谷乡、民乐镇、水平镇、边江乡、半坡乡、勐班乡、碧安乡、正兴镇、益智乡;墨江县的联珠镇、碧溪乡、新安乡、孟弄乡、团田乡、新抚乡、景星乡、通关镇、鱼塘乡、龙潭乡、文武乡、泗南江乡、坝溜乡、那哈乡、龙坝乡、雅邑乡、双龙乡、忠爱桥乡;思茅市的思茅镇、南屏镇、倚象镇、震东乡、云仙乡、翠云乡、龙潭乡、思茅港镇;景东县的锦屏镇、文井镇、者后乡、花山乡、大街乡、太忠乡、龙街乡、文龙乡、安定乡、漫湾镇、林街乡、景福乡、曼等乡、永秀乡、大朝山镇;孟连县的景信乡、勐马镇、富岩乡、芒新乡、南雅乡、公信乡、娜允镇;西盟县的西盟镇、力所乡、岳宋乡、莫窝乡、新厂乡、中课乡、翁嘎科乡、勐梭镇;镇沅县的按板镇、恩乐镇、田坝乡、古城乡、勐大镇、里崴乡、振太乡、三章田乡、九甲乡、者东乡、和平乡;江城县的国庆乡、康平乡、宝藏乡、加禾乡、曲水乡、红疆乡、勐烈镇、整董镇。(3)云南省西双版纳州景洪市的普文镇、大渡岗乡、景讷乡、勐旺乡、基诺乡、勐养镇、勐罕镇、小街乡、勐龙镇、景洪镇、景哈乡、嘎洒镇;勐海县的勐海镇、勐宋乡、勐阿乡、勐往乡、勐混乡、打洛镇、格朗和乡、布朗山乡、勐遮乡、勐满乡、西定乡、巴达乡;勐腊县的曼腊乡、象明乡、易武乡、勐仑镇、关累镇、瑶区乡、磨憨镇、勐腊镇、勐伴镇、勐满镇、勐捧镇、勐润乡。
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2010-06-15 16:36:09 |  浏览 (1774) | 
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